Please follow the rules and answer ALL the questions below.-Use ONLY materials we have covered or discussed in class: anything posted on our bCourses (texts,…

Please follow the rules and answer ALL the questions below.-Use ONLY materials we have covered or discussed in class: anything posted on our bCourses (texts, powerpoints, earlier Discussion boards, andChat records) and Zoom lectures-Use your own words.-Do not use online sources that are not part of our course.-No citation neededPart I. Short answer questions: choose 1 question to answer. 5-7 sentences each (~75words each).

Many avant-garde filmmakers in the 1920s felt strongly about medium-specificity. Define medium-specificity and briefly discuss 2different approaches to medium-specificity from film-making in the 1920s.1. Identify the two works below (artist, title, date, medium if possible). Briefly (5-7 sentences total) discuss the vision of easel painting, and its role inart/history, that these works put forward.Part II. Long-answer question. Please make it clear which question you are answering. Approximately 4-5 paragraphs (~700 words). Be specific inyour answer.

Draw on 3 works of art (artist, title, date, and medium where possible) in answering the question.

In the interwar period (1918-1938) in Europe, art-makers and cultural producers increasingly questioned the role of “art.” This questioning tookmany forms, from an anti-aesthetic stance and the declaration of “war on art” (indeed, some of the artists we have seen would be opposed to havingtheir work be called “art”!) to working towards marrying art-making and industrial, or mass, production. Choosing 3 specific examples, discuss theways artists (and/or art institutions) worked to redefine art during the interwar period.All the course PowerPoint are uploaded on the link below: the recorded lecture are uploaded on the link below:

Sample Solution
Different intelligent people of the Black Power underscore the social heritage, specifically the African underlying foundations of the dark character. This origination energizes the examination and the festival of the memorable and social past of the African Americans. Toward the finish of the 70s, proprietors of African Americans and Jewish marks of Harlem notice the prevalence of the hip-jump and rush to record the most known specialists. These businesspeople are by and by and geologically near this music. In 1980, Kurtis Blow distributes the maxi initial one of rap to a major mark. As of now, Hip-bounce culture will turn into the most mainstream and the most compelling and particularly for the young people of the twentieth century on the planet. The truly in vogue development of the spray painting craftsmen supplies the visual substance off youthful specialists whom Paint with splashes their pictographs in exciting hues. Around then, the Reagan Administration assaults “the government assistance state” and erases the aides for the destitute individuals. Hip-containers counter-assaults by sending their irritates as messages: ”don’t stretch me as far as possible, I am on the edge of the pit. It is as a wilderness once in a while, and I wonder how I make not to plunge.” Furious Five cautioned. 41. On the mechanical front, hip-containers advances with huge advances. A large portion of the stone performers stay puzzled even with the new strategies. Sadly the makers of rap make a machine for an ever increasing number of genuine rhythms. Martin Luther King is an emblematic figure of hip-bounce culture Founders whom are at the leader of the SCLC (Southern Christian Leadership Conference), Martin Luther King, asserts out his objection before hostile to white provocative messages that are related with Black Power. Very, they urge the African Americans to be glad for their personality and to set cognizance of their legacy: “to keep away from the blunder which would comprise in creating one Distrust towards all Whites people» he said. In addition, he articulates a popular discourse In August 28th, 1963 before the Lincoln Memorial in Washington during his Walking for the business and Freedom called: “I have a fantasy”. He is bolstered by John F. Kennedy in the battle against the racial segregation; the majority of these rights will be advanced by the “Regular citizen Rights Act” and “Casting a ballot Rights Act” under him. Martin Luther King is killed in 1968, by JamesEarl Ray, of whom the blame and the support are constantly talked about. Since 1986, Martin Luther King Day is an open occasion in the United States. After those catastrophes, the antagonistic vibe toward Black Power fortifies in 1968 with the presence of the development of Black Panthers which turns into the most significant association militating>GET ANSWER Let’s block ads! (Why?)

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